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Published in Telegraph Magazine, 8th of December, 2001
All pics © Orlando Bloom

With a cast of 77, a crew of 2,500, and a budget of £200 million – not to mention the 20,000 extras – 'The Lord
Of The Rings' trilogy is one of the most ambitious epics ever made. Orlando Bloom, 24, who plays the elf prince,
Legolas, took a Polaroid photograph every day of the 15 months of filming in New Zealand. In this diary, he gives
an insider's view into the making of the first film 'The Fellowship Of The Ring'.

Looking back at photos of myself in costume is strange. I have dark hair and brown eyes but to play Legolas I
wore a blond wig, blue contact lenses and pointed elf-ears, which took a bit of getting used to. When I saw the
film for the first time I was freaked out. Being transformed from Orlando into Legolas involved an hour-and-a-half
of hair and makeup. Some days I would have my ears put on, only to be told I wasn't needed until later, so I would
go back to my house to catch up on some sleep still wearing my ears.

I love this picture because it really highlights the visual impressiveness in every scene. When I saw the first film I
realised the extent to which the director Peter Jackson has created another character out of the landscape. Making
'Lord Of The Rings' has been Peter's ambition for many years. He had a vision in his head and was determined
that, as far as possible, the end result would fit that vision. Whenever possible, Peter insisted we shot on
location – very often weather regardless, as the umbrellas in the foreground illustrate.

When we weren't filming, we were all hanging around together. Pool games got pretty competitive – the Elves
versus the Hobbits was a particularly long-running battle. Sean Bean, who plays Boromir, is an avid chess player
and would often play between takes. Here he is engrossed in a game with one of the actors who played a Hobbit
double. If you look closely, you can see the white remnants of the face mask around his neckline.

Liv Tyler, who plays Elrond's daughter, Arwen Undómiel, became a very close friend of mine, but I was quite
indimidated by her at first. Before filming had started, I was sitting in the hair and makeup trailer having my hairline
raised for the wig. As it was being shaved back, Liv came and sat next to me for her wig fitting. We had met only
once, the night before, and I was obviously a bit in awe of her. I turned and asked her what she thought of my
new hairline. She replied that it was 'kinda cute', but suggested that I would look better with the sides totally
shaved off. Obviously I was going to do anything Liv Tyler told me to do and, before I knew it, I had a Mohawk!

Shooting 'The Lord Of The Rings' was absolutely exhausting but it was an unforgettable experience. The places
we filmed were often breathtakingly beautiful and off the beaten track. A lot of the mountain locations – like the
one in this picture, in which Peter Jackson is directing Ian McKellen [Gandalf] – were accessible only by helicopter.
Working with actors as accomplished as Ian was a bit daunting at first but most of the time on set I didn't have
the chance to feel starstruck; we were just a group of actors involved in an epic production which sometimes felt
like a wild horse that we were all trying to keep under control. It was a very unifying experience in that sense.

I felt a bit overwhelmed and disorientated when I first got to New Zealand but as soon as I saw the house that
was to be my home for the 15 months of filming, I felt pretty excited. It was a two-bedroom beach-house on
Marine Parade in Seatoun, Wellington, with sundecks outside every room and an electric garage for my jeep. It
was very much my haven and I still miss it.

There are four Hobbits in the Fellowship, who are played by Elijah Wood, Sean Astin, Billy Boyd and Dominic
Monaghan. But a Hobbit is only 3ft 6in, so all the actors needed midget doubles who wore masks moulded from
the actors' faces. This picture is of Elijah Wood's and Billy Boyd's doubles in their masks. Viggo Mortensen, who
plays Aragorn and is a great cigar smoker, had just wedged his cigar into the mouth of Elijah's double.

Those of us who got into surfing – and that was lots of us – used to spend most of our free time driving around
looking for good sites and waiting for waves. This picture is [left to right] Dominic Monagham, Billy Boyd, me
and Dave Williams who was a runner. One night Billy and I went moonlight surfing. Something flipped over in the
water and we thought it was a shark, but then we realised it was a seal. Leaving when we finished filming was
very hard as we had all become very close. The nine of us who made up 'The Fellowship Of The Ring' had matching
tattoos done – the number nine in Elvish script. Mine is on the inside of my right forearm and will always remind
me of that time.

One of Legolas's great skills is archery, and many of my scenes involved working with a bow and arrow. Despite
the fact that I was well rehearsed, this shot took about six hours to get right. I broke an arrow in the process and
the whole thing was totally exhausting. I don't even know if the shot made it into the movie after all that.

The films are very physical and making them was a very draining experience. There are several huge battle sequences
which took days to get right. We did a lot of work on blue screen, like here (where the computer-generated backdrop
is added in later) but Peter was insistent that we did as much as we could for real. We all had personal trainers,
but I needed more help than most; because of the physicality of my part and also because I broke my back four
years ago and it still gives me quite a lot of pain. I had a stunt double, but everything I could do myself I did. He
would demonstrate to me what I had to do and I would learn by copying him. The coolest thing was the fact that
Bob Anderson, who taught me to fence, also taught Errol Flynn.